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CURRENT EXHIBITION

LINES & TEXTURES

Layered abstract painting on panel, defined by fine horizontal lines and subtle grey, black, and off-white tones. Organic gestures surface beneath the structure, creating a quiet interplay of depth, rhythm, and restraint.
Lads gallery Osaka, a solo exhibition of Dominique Lutringer's recent works

Painting 10925
Natural Pigment, Gesso, Acrylic on canvas   160x130cm  

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Dominique Lutringer's recent works at Lads Gallery
Layered abstract painting on panel, defined by fine horizontal lines and subtle grey, black, and off-white tones. Organic gestures surface beneath the structure, creating a quiet interplay of depth, rhythm, and restraint.

Painting 225

Natural Pigment, Gesso, Acrylic on canvas   160x130cm   2025

Nature in summer, an abstract composition made with lines and patterns ©️Dominique Lutringer

Nature in summer
Gesso, acrylic, natural pigment on panel  240x100cm

Surrounded by objects, shapes, and forms of all sizes, colors and textures.. I absorb them and transform them into something else by only seeing their intrinsic beauty. Even in the darkest of alleys, there is always a glimmer that remains. This glimmer is what interests me.

Painting #16122. An abstract composition made with layers of lines, patterns and colors, ©️Dominique Lutringer

​Painting #171221
​Natural pigment, acrylic, modelling paste, panel 130x97cm

Composition #1462. An abstract composition. LInes patterns and textures. ©️Dominique Lutringer

Composition #14621
Colored pencil, acrylic, oil paint stick, natural pigment,Fabriano paper 300g, 76,5x75,5cm.

Progression chromatique

Chromatic Progression

Pigment, acrylic, Washi paper 98x68cm each

Reality is an illusion. Yellow and red composition made with layers of lines and patterns.

Reality is an illusion
natural pigment,acrylic on panel. 120x80cm

"The succession of multiple layers of paint gradually gives body to the texture and let us perceive the delicacy of the work."
 

Christian Boucharenc  Division of Industrial Design National University of Singapore

The window as a source of inspiration 
The window is a rich subject in the history of art because it allows artists to question the visible. But also what it hides from the eyes of others. It allows a glimpse of a small part of the "landscape". 

Layered abstract painting on panel, structured by a dense vertical field of fine linear marks. Soft, cloud-like forms articulate the surface through intervals and dispersion, echoing the spatial rhythms of the Ryoan-ji Zen garden in a restrained dialogue with postwar abstraction.

From Ryoan-ji 8
coloured pencils, acrylic, natural pigment, on panel, 92x72,7cm

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Fritz Hansen Osaka
Layered abstract painting on panel, structured by a dense grid of fine linear marks. Dark, irregular forms disrupt the surface, creating a dynamic tension between optical structure and gestural intervention, in dialogue with postwar abstraction.

Composition # 7423
Colored pencil, oil paint stick,natural pigment, water based paint, Washi paper 67x67cm

Exhibition 5_edited_edited.jpg
Layered abstract painting on panel, composed of a saturated red field activated by dense, gestural inscriptions. The surface oscillates between accumulation and erasure, generating a compressed, all-over structure that echoes postwar abstraction and gestural painting.
Galerie de l'Escalier France

Composition # 10423
Colored pencil, natural pigment, Washi paper  66x66cm

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Layered abstract painting on panel, structured by a tightly woven optical grid. Elliptical forms are generated through variations in density, producing a restrained interplay between perception and structure, echoing postwar abstraction and aspects of Op Art.

Composition #582021
natural pigment, coloured pencil,oil paint stick, paper 300g. 110x79cm

Work on progress
interior_edited.jpg
An abstract composition made with layers of lines, patterns and textures

Composition #45520721
natural pigment, coloured pencil, oil paint stick, paper 300g. 79x110cm

Work on progress

Colored pencils are layered to create a glossy, mirror-like texture. Oil pastels are applied over the stripes of masking tape, which are then peeled off, and finally, lines are drawn with paint. With each added layer, the artwork gradually reveals itself.

Composition #48520721 lines and textures on paper

Composition #272021
natural pigment, coloured pencil, acrylic, oil paint stick, panel. 110x79cm

From Ryoan-ji 4. A minimal composition depicts the famous Zen garden.

From Ryoan-ji 4
​markers, acrylic paint, natural pigment, Fabriano paper 300g. 70x99,8cm

Close up
Ryoan-ji 2. From Ryoan-ji 4. A minimal composition depicts the famous Zen garden.

From Ryoan-ji 2
coloured pencils, acrylic, natural pigment, Arches paper 300g.​ 70x99,8cm

From Ryoan-ji 4. A minimal composition depicts the famous Zen garden ©️Dominique Lutringer
Layered abstract painting on panel, where the surface functions as a shifting threshold. Structure emerges through negotiation rather than definition, in dialogue with postwar abstraction and Supports/Surfaces.

Painting #131923
Acrylic paint, oil paint stick,natural pigment, panel 66,5x96cm.

Colors and textures to inspire beauty and quietness

Painting #1924
Acrylic paint natural pigment, panel  73,5x91cm

From the Villa Chochikukyo series, this painting treats the surface as a constructed field where division and relation define structure, in dialogue with modernist abstraction and Japanese spatial logic.

Painting #C5321
Acrylic pigment, on paper 545x395mm.

Layered abstract painting on panel, structured by a dense vertical field of red linear marks. Soft, irregular forms disrupt the surface, establishing a dynamic between saturation, interruption, and erasure, echoing postwar abstraction and the material concerns of Supports/Surfaces.

​Painting #6624
Natural pigment, acrylic, modelling paste, gesso, panel ​42x42cm

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Layered abstract painting on panel, where fine linear structures both organize and generate form. Repeated striped elements articulate the surface, creating a shifting balance between structure, fragmentation, and coherence, in a quiet dialogue with Bauhaus principles of construction and early modernist abstraction.
On site

​Painting #3025
Natural pigment, acrylic, oil pastel, gesso, panel 23x31x5cm

2025

Layered abstract painting on panel, structured by fine horizontal striations and a vibrant chromatic field. Graphic forms are inscribed across the surface, where gesture disrupts and reconfigures the underlying order.

​Painting #4225
Natural pigment, acrylic, oil pastel, gesso, panel  44x44cm  

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